Preserving Cultural Roots and Identity with Gustra Adnyana
Art is more than just a career; it’s a vital link to our cultural roots and a reflection of our identity. Gustra Adnyana’s journey from growing up in the artistic heart of Ubud to becoming a curator highlights the transformative power of being immersed in creativity and tradition from an early age. For him, art is not just a practice but a way of life that shapes who we are. This story resonates deeply with the artisans of Kalimantan, where every piece crafted carries the weight of generations, the pulse of the forest, and the soul of the community. In a world that often overlooks the significance of these cultural treasures, how can we ensure that these traditions continue to thrive and define our future?
Read our insightful conversation on curating, feminism, and the Bali art scene with Gustra.
Why did you choose to pursue a career in the art world?
For me, art isn't just a background—I don't come from an art background. But being born in Ubud, art has always been a daily activity. Maybe it's because I grew up in an artistic environment. My grandfather was an artist, and my parents often took me to see art. It's been a part of my life since I was little, making me feel very close to it. This closeness made me curious about what lies behind art, and as I grew older, I realized that art was deeply ingrained in me.
In your opinion, how important is it for a curator to have formal knowledge of art or daily exposure to it?
In my opinion, it's important. Many curators may go through academies, but I believe that art comes from the heart. When art is a part of your daily life, it brings a deeper, more exciting connection to the work.
You mentioned that art feels like a form of spiritual entertainment for you. Can you elaborate on how art fulfills this role in your life?
Choosing art can mean different things to different people. For me, it's like an escape or a way to entertain myself—spiritual entertainment, perhaps. I find that in art. I'm not an artist, but I deeply enjoy how art, presented and displayed by others, can stir the soul. The impact art has on the soul is something unique to its various forms.
Can you tell us more about your journey in the art world and how your background in event organizing has influenced your work as a curator?
The first art I connected with was Balinese art. Later, I met many artist friends, both young and senior, who are incredibly talented. My background is in event organizing, so I contribute by packaging performances, exhibitions, and other visual arts. I see artists' work and think about how I can help them create something special for an exhibition or other visual arts projects. My friends focus on their art, but they often need someone to think about the broader aspects—like media, event format, and location. I enjoy cross-arts collaborations, combining visual art, film, and dance. So, I started to think, why not try to bring different forms of art together?
You mentioned the idea of a curator being a bridge. How do you see your role in connecting artists with their audiences?
A curator acts as a bridge, but it's not just about the bridge; it's about the people who cross it. Everyone plays an important role in almost every aspect of our lives. Just like choosing what shoes or clothes to wear, we make choices that shape our lives. We grow and adapt based on where we are and what we choose.
How do you approach the concept of "curating life," and how does it relate to your work as a curator?
Curating life is essential. We have our soul, our art, and we must decide where to take it. But sometimes, we can't just follow our own ego. Life brings many opportunities and challenges, just like curating art. Curating yourself is important to become a better person. However, life also brings pebbles, both good and bad, and we must face them.
Female artists in Bali seem to be a growing presence. What do you think has contributed to this rise, particularly in recent years?
There aren't many female artists in Bali, especially senior ones—perhaps fewer than ten who are widely recognized. But in recent years, more young Balinese female artists have emerged, and women's collectives have begun to embrace this movement, particularly in Bali. One such collective, Futuwonder, are creating opportunities and presenting new ideas, encouraging both women and men to see things from a fresh perspective.
Do you believe the feminist movements have played a role in empowering female artists in Bali? How have these movements influenced the art community?
The rise of female artisans is definitely influenced by the increasing number of feminist movements. A single voice can influence hundreds, empowering both female and male artists, as well as other young people, to speak up. This is a great opportunity and a wave of change that is being welcomed and embraced. In Bali, these movements are starting to gain momentum, with women's collectives actively participating. Although these women may not have been visible before, they are now stepping into the spotlight, and this is creating new opportunities for other female artists.
What advice would you give to aspiring artists, especially those who are just starting out and might be facing challenges?
First and foremost, networking is crucial. You need to connect with others to receive feedback, whether positive or negative. Communication is important. Secondly, don't be afraid of criticism; it can be constructive. Lastly, patience is key. Success might not come instantly—it's something you experience through exhibitions and consistent work. So, keep going!
Location:
Little Talks Ubud,
Artwork by
Bagus Ari Maruta @bagusarimaruta
Agung Dewi Monalisa @agungmonalisa_
